For some years now we have been producing film versions for a blind and deaf audience. The visual world of film, which is inaccessible to the blind and visually impaired, is transformed into sound through our acoustic image description.
With precise, short texts between dialogue, our writers capture the imagery and rhythm of every single film we work on. As a rule, our specially trained writers are filmmakers who are familiar with image analysis, dramaturgy and pictorial composition. They work in a team and are accompanied by the visually impaired.
In our recording studio we record audio descriptions with high-end speakers and create mixed versions in all desired formats (dcp, DVD and Cinema, Greta and Starks …)
Simultaneously, a team of subtitlers takes care of the description of acoustic information lost to the hearing-impaired audience that is needed to understand a movie.
The small recording studio
The benefit for our customers is that both teams work in unison on films, and alias ensures a smooth workflow until the complete barrier-free versions are delivered.
Mission: Love (2017), Laura Lackmann
JIM BUTTON AND LUKE THE ENGINE DRIVER
2018, Dennis Gansel, Malao Film
RETURN TO MONTAUK
2017, Volker Schlöndorff, Zieglerfilm
MR. STEIN GOES ONLINE
2017, Stéphane Robelin, Detailfilm/ Panache Productions
2017, Laura Lackmann, studio.tv.film
2016, Lutz Gregor, Gebru?der Beetz Film
2017, Karin Jurschick, Bildersturm
CENTRE OF MY WORLD
2016, Jakob M. Erwa, Neue Schönhauser Filmproduktion
2014, Sylke Enders, Basis Berlin
2014, Michael Ammann, Basis Berlin